Eyewear trends come and go, but clear frame sunglasses will always have a place in our accessories arsenal. Characterised by a sleek, simple aesthetic, these unfussy frames – usually crafted from durable yet lightweight acetate – will elevate your warm weather ensemble without distracting from it. They work with any shape – from classic round frames to statement-making retro-inspired styles. A clear frame also allows you the freedom to experiment with the lens colour. Sold? Scroll on to find the perfect pair of clear frame sunglasses to suit your summer look.
Best clear frame sunglasses in 2025
Yoovy
Designed in England, made in Italy – Yoovy takes its craft seriously. This is plain to see in the brand's sunglasses, which, despite being relative newcomers to a market filled with big heritage names, exude timeless appeal and quality. Whatever your face shape, there's a style to match, all finished off with the brand's signature beryllium copper filigree.
Oliver Peoples
Oliver Peoples has long been the name to drop if you want glasses that feel discreet rather than showy. Founded in Los Angeles in the late eighties, the label built its reputation on refined silhouettes and a certain intellectual cool, the kind that works just as well with tailoring as it does a T-shirt. Its clear frame sunglasses follow the same formula: understated, beautifully balanced, and entirely free of logos. Rather than shouting for attention, they whisper. Think mid-century Hollywood filtered through modern minimalism – eyewear that is more about the wearer than the brand, which is exactly the point.
The Resort Co.
Better known for its relaxed take on luxury holiday gear, The Resort Co has extended its eye for detail into sunglasses. Its frames, including those in clear acetate, are made in Italy with the same focus on quality you’d expect from a brand that takes resortwear seriously. The vibe is effortless, quietly polished, and a little jet-set. A pair of clear Resort Co frames works just as well with a linen shirt on the Amalfi Coast as it does on a grey city street – a reminder that ‘holiday’ and ‘everyday’ aren’t mutually exclusive.
Cubitts
London’s Cubitts has a knack for marrying craft with character. Its frames are hand-finished, built properly, and priced fairly – the sort of glasses that feel like they should cost more than they do. When it comes to clear frames, Cubitts leans on its architectural sensibility. You’ll find crisp lines, squared edges and proportions that flatter most faces. The transparency makes the design details stand out all the more, which is fitting for a brand that obsesses over tiny engineering flourishes, from custom pins to polished hinges. The result is modern eyewear with substance beneath the gloss.
MOSCOT
Born in New York’s Lower East Side in 1915, Moscot has had a century to perfect the art of making frames that feel timeless without veering into pastiche. The clear acetate styles sum up what the brand does best: simple, square-jawed shapes with a little downtown attitude. They’re not futuristic, they’re not retro – they just look good. Worn by musicians, writers and anyone who likes their eyewear with a trace of grit, Moscot’s clear sunglasses are proof that the old New York knack for understatement is still very much alive.
Meller
Meller has carved out a niche in making sunglasses that look more expensive than they are. Based in Barcelona, the brand draws inspiration from travel and nature, but the appeal lies in its ability to make trend-driven designs accessible. Its clear frames offer that same democratic spirit: crisp, versatile shapes in lightweight acetate, priced in a way that makes buying more than one pair tempting. They’re not trying to be heritage, artisanal or exclusive. Instead, Meller frames are about immediacy – easy, wearable sunglasses that anyone can pull off without overthinking it.
Ace & Tate
Amsterdam’s Ace & Tate built its reputation on stripping eyewear of snobbery. The pitch was simple: design-led glasses, transparent pricing, and a fresh aesthetic that resonated with a younger crowd. Its clear frames are perhaps the purest expression of that philosophy – unfussy shapes in translucent acetate that feel modern, democratic and quietly stylish. They work with whatever you throw at them, and they cost less than most of the competition. If you want eyewear that feels current but not trend-chasing, Ace & Tate has the formula nailed.
Ray-Ban
Few names in eyewear carry the weight of Ray-Ban. The Aviator, the Wayfarer, the Clubmaster – these frames are cultural artefacts as much as accessories. Clear acetate is less of a signature, but when Ray-Ban does it, the effect is refreshing. Familiar shapes stripped of their usual black or tortoiseshell feel lighter, younger, and less burdened by history. You still get the same sturdy build and the brand’s ubiquity, but in a subtler package. It’s Ray-Ban, just with the volume turned down – recognisable enough to feel iconic, understated enough to feel new.
Garret Leight
Garrett Leight grew up around eyewear – his father founded Oliver Peoples – so it’s little surprise that his own brand hits such a sweet spot between heritage and Californian ease. Based in Venice Beach, Garrett Leight California Optical (GLCO) deals in frames that are relaxed, refined, and rooted in West Coast culture. Clear frames, in this context, feel like the perfect fit: sun-drenched, unfussy, and best worn with the sort of tan that never sees an office cubicle. They capture that easygoing LA attitude, but with enough design intelligence to stand apart from the crowd.
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